It’s another evening in front of the TV, the room lit only by the flickering images from ‘MasterChef Indonesia Season 11’. It was the finale, and as the hosts build up the suspense for Belinda and Kiki’s final cook-off, I find myself less captivated by the culinary drama and more by the unspoken narratives unfolding before me.
Belinda, with her background from Le Cordon Bleu, and Kiki, whose roots are in a local culinary school in Medan, bring more than just their cooking to the table. It’s like their backgrounds are ingredients in a recipe that the show itself doesn’t realize it’s cooking. There’s a subtle, maybe unintended, narrative about race and education.
Then there’s the appearance of Ganjar Pranowo and his wife. It feels out of place, like a plot twist that doesn’t quite fit the story. Why are they here? Is this a culinary show or a political campaign in disguise? It dawns on me that the show might be serving a dual purpose – entertainment and subtle political campaigning. I, many other viewers, question the neutrality of the event and people may be picking up on this underlying agenda.
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